So, is it still vegan?

Just had to share this article with all of you out there in TV Land. I have to wonder if those canned mushrooms are still considered vegan if they can have that many insects included with my yummy fungus?

Seriously, until now I had chalked rumors of this up to elementary school legend, much like the spider eggs in Bubble Yum (or was that Bubblicious? One of those juicy cubed gums, anyway.) I realize that having 3 pet rats, a little rodent hair may be found, from time to time, in something I cook, but those are *my* rodent hairs. I don't want some stranger rat swimming in my pasta sauce. Gross!

Why the dark, poor-quality picture of Zombie, my short-tailed-opossum today? He's sadly very weak and elderly and many not have a lot of time left. If you have a moment, please send him a little love. Thanks.

AC Moore: Festive Fiskars Fun Forthcoming!

Want a preview of the Fiskars Holiday Card Class coming up on Friday, Nov. 7? We'll be making 6 cards using the ultra easy to use brand new texture plates! They're an easy, inexpensive, yet beautiful way to create fabulous cards for Thanksgiving, Christmas, Chanukkah, Yule, or make sets of notecards for friends and family on your gift list.

Wanna come? Sign up at A.C. Moore on Capital Blvd. in Raleigh anytime between now and the start of class on the 7th. :) If you let me know you're planning to come, that not only helps me make sure I have enough kits put together ahead of time, but also makes me think you're extra super nice. Awwww!

The class fee is $15, and that includes all supplies plus your very own Fiskars embossing stylus to take home so you can start making more cards asap!

P.S. Are you a Fiskateer yet? Want to be one? Just go to http://www.fiskateers.com/ and contact any lead Fiskateer you want. Tell them Veronica (Fiskateer #1135) sent you. It's free and it's fun. I love the online crops, challenges, chats, and project ideas. It's a fun little community and it must be cool--I hang out there! ;)

I love you, Club Scrap (with an homage to "Sheetload")

My most recent obsession comes in pizza boxes, but there's no way I'm going to eat it. Sorry, I don't like mouthfuls of paper, beads, brads and ribbons, though I do like them on my table.



It all started when I saw my friend Barbie working with some paper lines I'd never seen before, ones that had a kind of funky, hand-screened look to them. It turned out to be the Cruizin' line, the motel design which, if you know me, you know I'm a sucker for since I spent most of my toddler years (and travelled quite a bit with my dad (and early on, Mom too) in the years beyond) happily playing in cement kiddies pools, cutting paper dolls from a book while sitting on brightly colored '70's polyester beadspreads, watching Peter Pan on a swivling television, while eating tuna helper cooked in an electric frying pan perched on the bathroom counter.



So one thing led to another and I signed up for their kit club. It's a big committment to sight-unseen kits and projects, but it's also exciting to open that box and find a total surprise, like a present from yourself. Neat!




But before my first kit could arrive, Darleen invited me to something called "ALS" or Assembly Line Scrapbooking. To be honest, I balked at the idea of mechanical scrapping, but the invitation she made was so darn cute, a tiny little Revolution-cut dog, red shimmer paper, I couldn't say no.


Apparently, Club Scrap not only has a regular kit club, it's also got a demonstrator program something like Stampin' Up, Close to My Heart, Creative Memories and the like. Darleen is a FFC or FCC or something--either way it has nothing to do with regulating the airwaves or growing up to be a farmer someday), hence hosting the event.


When I arrived, I was surprised (and pleased) to see that everything we could possibly need for the class was provided. I didn't even need to have brought my everpresent essentials bag of pens and adhesive and all that. But I did anyway. Some of us need our security blankets.


For the $20 fee, each of us received a "Jr." kit which was pretty whopping for a "Jr." anything. It was called "Study in Red" and, as you've likely guess, it was predominantly red with some black and grey accents. It not only included paper, newsletter, copy-able embellishments, pop-out details, alpha stickers, and other little extras, it also had a matching stamp and ink that coordinated with the kit.


Everyone bantered back and forth a while before lunch. Darlene was kind enough to think of my pain-in-the-butt vegan self and made veggie dogs and a super juicylicious fruit salad for me which I attacked like a ravenous wombat. A ravenous vegan wombat, if there is such a thing. By this time I had begun to notice something unusual about the house. For September, there were an awful lot of Christmas trees around. Actually, for Christmas there were a lot of Christmas trees around. I couldn't believe I forgot my camera, because everyone should get to see her house, filled to overflowing with her holiday ornament collections. One room is completely surrounded by glowing Christmas village houses--so many that the tiny little lights inside warm the room and offer enough light that even your mom would approve of reading with no additional lampitude. I'm anxiously awaiting her next workshop so I can bring home pictures. Every room has a theme. I'm particularly fond of the "mice" in the kitchen, personally.


Assembly Line Scrapbooking is very much like something I've raved about before...Sheetload of Cards (see my previous entry for more details). In both cases, you cut all your pieces first, the assemble your project based upon a page map (a sketch showing where each pre-cut piece belongs, along with embellishments and the like). Lest this sound painfully uncreative, think of it as a framework intented to inspire. How you execute the map is really up to you. You can follow it exactly or move things around a bit, and it ends up being pretty exciting when you get to see how very differently 2 people can execute the same basic instructions.



So that got me thinking, what if I combine the two? When my first real kit finally arrived (I say finally not because it was later than promised, but because there was a mail holiday that held it up, and because their schedule isn't set to mail it on the first day of the month I found the wait tormenting. Each day as the UPS truck passed my house, I was right there in the window, watching anxiously as my dogs hop up and down barking their heads off at the "intruder" from the brown truck they are convinced is coming to kill us all. Then, one sparkling day I got a knock on the door and two loaded pizza boxes. Whoo hoo! I decided to break into the "old" kit I'd ordered, Haberdashery, which was released in June. I fell in love with it because, well, it's very French, lots of Fleur de Lise and other icons. So, using this kit and the latest issue (the mid-month mini, which is rapidly becoming my favorite) here are 2 sets of cards I made. I think the stamps coordinated beautifully with the kit. Take a look:





I also received this month's kit, Cyprus, which I just barely had time to begin before writing this. I'm pleased with my first layout from the kit, made on my own, no templates or anything (yes, I can do that, too. Gasp!) It's my pen pal from Finland and especially her oft commended Finnish Spitz, Mini. Is the pun too much? Oh, of course it is. Still, I couldn't let it slide by.




One last thing...since it's my first kit since I subscribed, they sent me a neat free card kit. I was worried that the stamps might be too shallowly cut, but surprisingly the images came out beautifully and I was impressed with the very textured looking mosaic effect that appeared to have a lot of depth, even if the stamps didn't. I had no problems getting the stamp to make a clean image and I was very happy to have an excuse to use my Stampin' Up Pacific Point stamp pad on a non-stampin-up project. It was a perfect match to the marbled blue paper, so beautiful I felt bad using is as a layer under the white sheet where few will see it--that's some darn pretty cardstock. And while I'm dropping names, note the use of glitter on every little detail. Yes, I carefully did that all by hand using a glue pen and loose superfine glitter because I have no life and don't mind spending hours sprinkling glitter onto thin, nearly invisible lines, but I also have to give credit to my Big Picture Scrapbooking Class I'm in the midst of attending online. Glitter projects were last week's assignment so these cards were among the items I coated in shimmery metal bits. Glitter RULES!

Fiskars Fun Part 2: All of the Projects

Hi Everyone!

I am posting all of the projects we worked on last night in case you didn't have time to finish. I know some of these are in the previous post, but I wanted to put them all together so you don't have to sort through other posts. I hope you had a great time and that you'll come to my next Fiskars class on Oct. 3. We'll be making a fall-themed layout (great for Thanksgiving pics or for those playing in the leaves photos) and a bunch of animal themed cards (see the froggie card, previous post), including a pet themed one (choice of dog or cat) since I know you guys love your little critters!

For those who couldn't make the class, I'd love to see you at the next one. Sure, we had a few learning experiences (I think we had too many projects in too little time and everyone seemed to want more cards, fewer layouts) but that's ok--that just means our next class will be even better! I also had a request for a class using some of the cool clear stamps by Heidi Grace or Lil' Davis, so keep an eye out for a stamping class soon. To be honest, I kind of shied away from stamping in this first class simply because I teach so many stamping classes already (I'm a Stampin' Up rep), but I'm always up for more stamping! I'm thinking perhaps a holiday card class in November. Anyone interested?

On to the pics. If you have any questions, just let me know!

Sneak Peek: Fiskars Fun Class this Thursday at AC Moore, Raleigh

Shhhhhhh! Don't tell the grownups, but I found these supersecret pictures under the couch along with some change and a lot of dusty loose glitter. Rumor has it, they're samples you'll be seeing at the A.C. Moore class I'm teaching this week. To avoid ruining all the fun, I'll just let you see a few samples...we might even be making some of them in class on Thursday. You'll have to come to class to find out which ones (and to see the projects I'm not divulging here!) Details below...
So, here's the scoop. Stop by AC Moore on Capital Blvd. and sign up at register one. We'll be making a couple of beautiful layouts and some neat cards while we learn how to use Fiskars tools. And as if that wasn't enough, AC Moore is having a 50% off sale on Fiskars tools, so if you like what you see, you have a great excuse to pick 'em up. The class fee is $15 (plus a few basic supplies) for the class and a heap o' fiskars goodies I'll have ready for you when you arrive! Don't miss this one!

Just something I like: Sheetload of Cards

I've been subscribing to the SheetLoad of Cards monthly online magazine for, well, months. Here's the concept: every month they send a recipe for making a bunch of cards using a few sheets of cardstock, a few embellishments, and a card map. The instructions are for the bulk production of cards, cutting out all the pieces, then assembling them en masse. What a cool idea. I had to subscribe the second I heard about it. But for a while they've been stacking up in my inbox waiting for me to actually get out the cardstock and put some cards together.

I think what I needed was a reason to make a slew of cards in one sitting. Well, Jen K, who you've heard so very much about here in blogland, was kind enough to offer to bring my cards to Stampin' Up's convention to swap them for me, since I can't make it this year. She's just so darn nice. And she's dilligent. She's making 100 or so cards to bring with her, so I couldn't just hand her 5 or 10 cards and feel like I wasn't a total loser. Enter SheetLoad of Cards! I found my reason to get to work.

My feelings on the results? Though each card isn't it's own individual work of art like most of the cards I create, I'm really happy with them as a set of matched or coordinating copies. Each recipe in the issue I used (July Issue: Christmas in July) creates eight cards. Knowing I want to make a few different kinds to send along with Jen, I only doubled the recipe and still made a nice little assortment of girly pirate cards. The instructions were really clear and easy, and the examples were great. I changed a fair amount of details for my own cards, but that's the great thing about their card maps. They allow for a lot of creativity while keeping things uniform enough to do the assembly line thing.

If you're looking to make something one of a kind or extremely elaborate, you probably don't want to go with this system, but honestly, as lovely as a individually tooled card is, in most cases this is perfect. You create something personal, pretty, and creative while saving time and energy. Since most cards, no matter how treasured, are only kept so long, a system like this makes wonderful sense, particularly in the case of cards with many multiples needed--holiday cards, gift assortments, Valentines, stationery kits, etc. I know I'll be referring to their magazine when I'm working on sets of cards for xmas gifts for my friends and family this year.

Before I forget, there's one more advantage to using the instructions provided: it is fun. I really enjoyed seeing the cards come together, revealing my cards' design even as I made them. So, I say subscribe. All you have to lose is a few sheets of paper and I doubt you'll be less than pleased with the results.

P.S. I hope everyone likes my pirate a la femme. I think it's about time we had a pastel pirate around here. With the amount of glitter all over me, they should be sparkly enough to attract attention, anyway. I looooove glitter and I'm really super glad Stampin ' Up is not retiring it!

Review: Archivers' Totally Clear Acrylic Album 2 Class

Yep! I made it out of the house on Saturday despite my rather painful weekend (my spine was being quite bitchy, let me tell you.) Archivers' and an acrylic album beckoned and I could not but follow. ;)

This is the cover of the finished album. One thing I have to give Archivers credit for is always using great quality "ingredients". The class was $18, which I think was a fair price considering the outcome. If you just want a clear album, yes, you can make it cheaper on your own, provided you have the necessary stamps or a similar set you're willing to substitute, but I do enjoy the social aspect of the classroom experience, especially getting to see what other people do to their albums to make them unique. Even with explicit instructions, everyone has their own flair.

One thing Archivers has improved on drastically over the last year is its instructor training. In the past I attended some classes that really seemed as if the instructor had never made the project before--or even read the instructions till they got to the class. Not good. When I pay a class fee, I expect that part of that fee is paid to cover the instructor's time and skill, so when an instructor just reads from the same instructions I have sitting in front of me, I'm really unhappy. I can read on my own. Really. I have a rather useless English degree under my belt. This time, our instructor was not only familiar with the class and able to actually teach, she also had a lot of handy tips, tricks, and ideas to share. In the past, I've had instructors get nervous, even snippy, when I diverged from the instructions because I preferred a different look (for example, I almost always do all I can to avoid the colors peach and yellow in any project I make. That's because these colors are gross. Seriously. Gross.) Lisa (the instructor who ran the class) was encouraging and didn't freak out when I dumped out all of the pens and things onto the table to use the little bucket to trace a circle.

I'm only showing a page or two here because I don't want to spoil the class for those who'd like to take it. Let me just say that I was very pleased with the results. One tip I highly recommend is to remember to bring your photos to any album class. Inevitably some parts of the project will be intended to overlap a photo, and you're bound to lose the pieces or have them damaged if you try to take them home and add them later. Also, if you are like me, you will let the album sit around forever waiting for pics to be added if you don't finish it in one sitting. Also, bring your own adhesive. I've never been to a class that wasn't stingy about their adhesive, so I won't blame Archivers for this--it seems to be a disease all instructors are infected with and a pet peeve of mine, but so it goes. I always pack my own. It's especially a good idea to bring your own tape runner when working on a project like this one without any protective sleeves. You want all of your photos and embellishments to withstand a lot of handling.

And yes! Here is another area where Archivers has improved dramatically. Remember that summer themed chipboard book class from last year? The one that took an extra four hours to complete outside of class, even if you did bring your photos? I'm a very quick scrapbooker, relatively speaking, and if I had four hours of extra work, I can only imagine how many of these albums went unfinished. I've started taking their classes again pretty regularly and they seem to have learned that people really prefer to actually finish a project when they take a class. And we don't want to leave the class totally stressed and out of breath from having to endure an intense time crush. The acrylic album class was relaxed, yet kept me busy enough that I didn't get bored and start wandering the store (short attention span). We left with a cute, completed project and a good 20 pictures (or thereabouts) beautifully displayed. Neat!

If you are the kind of person who freaks out about cutting their photos, you may want to bring duplicate copies or choose not to take this class since it does require a fair amount of photo trimming. If you're like me, though, and like something kind of funky and fun, you'll love this class. In the end, the time and money I spent on this class was well worth the results and I do think this album will be one I enjoy for a long time. I also feel confident now that I know how to use acrylic albums, which I didn't feel I could do before. Good class. Take it if you have an Archivers near you.